OMAR CRUZ

PUERTO RICO

Omar Cruz is a Miami-based photographer known for his evocative black-and-white imagery, blending classic technique with contemporary vision. A few times a year, he leaves South Florida for Paris, working in the renowned Picto Bastille laboratory, where silver-gelatin masters help him bring his photographs to life. His journey spans decades, from capturing Latin music icons like Ricky Martin, Pitbull, and Juanes to focusing on deeply personal projects that redefine his artistic identity.

After years of commercial success, Cruz stepped away from celebrity photography to devote himself to fine art. His series Skin and Shapes abstracts the human form, using fabric, shadows, and cropped compositions to create striking, film-noir-inspired imagery. He finds inspiration in dancers and the grace of movement, prioritizing emotion over aesthetics. For Cruz, beauty isn’t perfection—it’s found in raw, fleeting moments, where a single gesture or expression tells an entire story.

His transition to personal work was deeply influenced by loss. After his mother’s passing in 2019, Cruz’s photography took on darker tones, reflecting his grief. The compositions were shadow-heavy, yet infused with quiet elegance. As time passed, light re-emerged in his images, symbolizing resilience and hope. Whether capturing a moment on the Parisian streets or the delicate angle of a model’s arm, Cruz’s work remains poetic, intimate, and timeless.

Committed to his craft, Cruz prints his work in ultra-premium platinum and etching-like photogravure, creating images that are as tactile as they are visual. Each print, developed with care on thick French paper, retains a dreamlike quality—an artifact of time and emotion. For Cruz, photography is more than an image; it’s a sanctuary, a space where light and shadow whisper stories, inviting the viewer into a world of quiet reflection and depth.

 

WORKS

THE BLOOM

2023
Silver gelatin print, archival framed        museum glass (Ed; 2/5+2AP), 31.5″ x 25.75

LYRIC

2019
Platinum palladium print, archival framed, museum glass (Ed.1/3 AP), 31.5″ x 25.75

WOMAN IN THE GARDEN

2024
Silver gelatin print, archival framed,        museum glass (Ed. 2/5+2AP), 31.5″ x 25.75

Juliannne & the Flower

2022
Silver gelatin print, archival framed,       museum glass (Ed. 1/5+ 2AP), 34.5″ x 25.75″

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ALBERTO CAVALIERI

Venezuela

My work focuses on challenging our physical laws and altering our sense of logic, in bending and transforming materials to create the impression that the works are not man-made. I create sinuous, contorting steel forms that outline spaces in an organic way; forms that can be easily tied together amalgamate with architecture and seem, at times, to be levitating.

Metal allows me to create an overriding paradox between matter and form: to create sinuous forms that are full of life and movement, in clear contrast to the rigidity and structure of the material -steel- I use to make them.

Knots are one of the abstract forms I use, and their multiple symbolisms increase the scope and resonance of my work. Knots imply human activity and they have different connotations in terms of how they are used; connotations that could even be contradictory and/or ambivalent. Man makes knots to solve countless functional situations: they are a metaphor for life.